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Presonus Hp60 6-channel Headphone Mixing System

  • Presonus Hp60 6-channel Headphone Mixing System
    Presonus Hp60 6-channel Headphone Mixing System
    Presonus
    Headphone Amps
    Accessories
    The PreSonus HP60 is the most flexible and advanced headphone mixing system available for professional and project recording studios as well as live sound in-ear monitoring systems.
    Listing Price :$399
    Shipping fee :$0
    On Sale Price: $299.95

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Feature:
simple--- sound in and out digital or analog you choose..

Quality:
good build quality

Value:
i will buy to more of these to make a 24 channel system the pres sound that good

Desirability:
i needed good pres real bad im glad i got this.. stay away from behringer please...........

Sound:
i upgraded from a behringer eurodesk mx9000 the sound is top notch compared to the eurodesk very full you can hear the pres the most when you master.

Ease of Use:
not hard at all just plug it in and start playing and dont forget to adjust your volume levels

Support:
havnt needed it yet crossing my fingers

Overall:
good bang for buck


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Magnify Presonus Digimax D8 8-channel Microphone Preamp With Digital Output
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Magnify Presonus Hp4 4-channel Headphone Amplifier
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Feature:
not to many, but you could daisy chain it to another one.

Quality:
I used it for a handful of sessions and then smoke started coming out of it. The thing was fried.

Value:
Works well, after your done with your sessions and it burns out you can roast hot dogs.

Desirability:
This is the first Presonus product that has just disappointed me.

Sound:
Faithful and accurate

Ease of Use:
Just plug in a go

Overall:
Bopefully this isnt par for the course, but with less expensive units out there you may want to look elsewhare.


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Magnify Presonus Acp88 8-channel Compressor/gate
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Feature:
Really wish the gate was more tunable. But hey! what do ya want for $900????

Quality:
With all of the cabeling that I leave plugged into the back of the unit there is quite a bit of strain on the chassis. I would like to see a bit more robust connection to the faceplate so that it flexes a bit less. I just bolted my wiring harnesses to the side of the rack itslef and that took care of this though. I have had no pproblems with mine after touring with it for over 3 years.

Value:
Hands down, the best bang for the buck in a small compact package for any live sound enginees. Works fairly well in the studio but not my first choice as a dynamics processor for critical studio work but still very good.

Sound:
I use this unit in my touring rack. It has alot of bang for the buck in a very small package. Sonically the compressor is amazing (for an 8 channel unit). I have actually used it on a lead vocal in an arena on a national tour when my main vocal comp crapped out....I was not disappointed at all. The gate while being a bit limited in controls works surprisingly well. It opens a bit harder than some of the others that I have used but for live hard rock music is acceptable. Overall I can say that getting 8 channels or pretty damn good comps, eight channels of passable gates all in two rack spaces for money you simply cannot top this unit. I have even used it in the studio to mix a couple of Nationally released CDs. This unit is a huge space saver for any live engineer.


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